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Of course, we cannot help thinking at regular intervals about West Side Story, the masterpiece andemblematic of Bernstein: these suspended musical cells, this work on brass and percussion, notes that explode in sonic explosions, beginnings of melodies in ensembles where (and this is very American) the voices, as in a musical conversation, overlap, respond to each other or do not respond to each other, trying to take the place, shouting louder, seeking to impose their own discourse. The funeral C) Bernd Uhlig, Opéra national de Paris